Question

Shin Saimdang (1504-1551) _____________(to be) born in the village of Bukpyong, Kangneung,

Kangwon Province. She was a descendant of the Shin family from Pyeongsan. She ___________ (to

have) her seven children to raise, and at the same time, she also had to care for her aging parents, since

she __________ (to come) from a family without any sons. (In Joseon Korean culture, the oldest son in

a family, along with his wife, would traditionally be responsible for providing and caring for his parents

until their deaths, usually living in the same household with the parents, even after marriage.)

In addition, her father had _____________ (to invest) in giving her a good education, and she

__________ (to feel) one of her duties as a good daughter was to produce the fruits of her educationpoetry, painting, and calligraphy. Balancing all of these responsibilities ___________ (to require) a great

investment of time and energy, and it is easy to imagine that the heavy load ___________ (to contribute)

to her relatively early death. Her success in fulfilling her duties as a mother, wife, and daughter, and at

the same time succeeding as an artist has brought her great respect in present-day Korea.

Saimdang___________ (to paint) landscapes and garden scenes of insects, vegetation, and flowers.

She was known for her calligraphic-style monochrome grapevine renderings in ink; ____________ (to

paint) in literati style. These ___________ (to be) contemplated in the sarangbang, the study and living

quarters of male heads of yangban households.

Note: Sarangbang is a room located in a Korean traditional house (hanok) which served as a man's

room, used for studying, writing poetry, and leisure activities. One of the characteristics of

the sarangbang is that it usually has a separate study called a sarangchae​

Answer 1

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